Lia Ikkos

Agencias

Género
femenino
Año de nacimiento
1988 (37)
Lugar de nacimiento
London
Nacionalidad
británico, español, griego
Color de ojos
Verde-marrón
Color del cabello
Negro-marrón
Longitud del cabello
Largo
Altura (cm)
179
Idiomas
Alemán: básico
Griego (nuevo): básico
Inglés: nativo
Francés: fluido
Italiano: intermedio
Polaco: básico
Portugués: intermedio
Español: nativo
Acentos
americano: solo si es necesario
Tonos
Mezzosoprano
Canto
jazz: Profesional
Ópera: Profesional
Instrumentos
guitarra: Conocimiento básico
piano: Conocimiento básico
Bailes
Danza contemporánea: Conocimiento básico
Deportes
yoga: Bueno
Cajas: Conocimiento básico
equitación: Bueno
nadar: Bueno
vóleibol: Conocimiento básico
Yoga aérea: Conocimiento básico
Escalada de roca: Conocimiento básico
Gimnasia: Conocimiento básico
Buceo (apnea): Conocimiento básico
patinaje artístico: Conocimiento básico
voleibol de playa: Conocimiento básico
Gimnasia deportiva rítmica: Conocimiento básico
País
Grecia
Estado federal
Región Attica

Formación profesional primaria

RADA

Formación complementaria

National Film & Television School
The Guildhall School of Music (Juniors)
Vocal studies, opera and bel canto

Película

Café Faillible (Largometraje) En desarrollo
Fae (PP) Robert Ilioni Productor/Producción: Masuyo (Emi) Morita Distribución: pending Caster: Masuyo (Emi) Morita Escrito por: Robert Ilioni
RUN (Cortometraje) En desarrollo
Mother (PP) Oliver McGuirk Productor/Producción: Alina Lini Escrito por: Oliver McGuirk In post production
Three By Kings (Drama) En desarrollo
Peggy Moran (PS) Productor/Producción: Bigoli Pictures
#pesmeidiotrop (Call Me Odd) (Cortometraje)
Woman on bike (PP) Sofia Georgovassili Productor/Producción: White Room Distribución: Diotima Caster: Loukas Valentis Escrito por: Sofia Georgovassili https://diotima.org.gr/en/callmeodd-new-digital-campaign/ #callmeodd | New digital campaign The Diotima Center presents a new digital campaign about consent as part of the EQUAL_GEN project. The Diotima Center presents the digital campaign “Call me odd”, on the multifaceted concept of consent, a key concept for equal interpersonal relationships, as part of the EQUAL_GEN project. Consent culture is the term used to describe environments in which making agreements, finding common ground and respecting boundaries is the norm, both for sexual intercourses and for other daily activities. In this context, people feel that they have control of their physical autonomy and boundaries and can safely negotiate them. The two videos created in collaboration with the 4 Wise Monkeys creative agency, aim to free from the second thoughts that often overwhelm them when they try to set their boundaries. And we don’t stop there. We envision an environment, in which every woman, after every yes or no, won’t feel guilt, stress or fear on how she will be labelled. Because consent is a right, not an oddity.
Cafe 404 (Película de cine)
Jimmy's Mum (PS) Alex Tsilifonis Productor/Producción: Katerina Kaskanioti Distribución: 7 Palms Entertainment Escrito por: Alex Tsilifonis Available on Amazon Prime https://www.amazon.com/Cafe-404-Alexandros-Tsilifonis/dp/B0FBH51M3M
The Gimp And The Hitman (Película de cine)
Penelope (PP) Dimitri Raft Productor/Producción: Joh-Paul Gates Distribución: Film Hub Caster: George Koltsou Escrito por: Dimitri Raft & Joh-Paul Gates
Judith's Return (Película experimental)
Judith (PP) James Brennan Productor/Producción: Aphids Distribución: Moonah Arts Center Caster: James Brennan Escrito por: James Brennan JUDITH’S RETURN, is an experimental opera and video work created and performed by artists and people convicted of crime. It explores the virtue of courage and takes it’s title from the Raine Maria Rilke poem of the same name. The project combines the voices of current and former prisoners from Australia and Poland with multi channel video and music for church organ, synthesizer, soprano and drums. The accompanying operatic was composed by Brennan and Polish collaborator Szczepan Pospieszalski and it’s libretto is taken from Rilke’s poem. Inspired by the imaginative world of incarcerated people, Judith’s Return reclaims virtue in a contemporary setting. It takes as it’s muse the Old Testament biblical heroine and murderess Judith, and explores the personal and ethical issues surrounding an act of courage. Current and former prisoners are cast as philosophers who dissect the story, at times this echoing their own experiences, regrets and hopes. The result is an emotionally devastating performance that shatters judgments around convicted peoples capacity to live morally and ultimately asks viewers to consider the limits of liberty . The work has been created in partnership with Białołęka Prison, Warsaw, one of Europes largest detention centres. Working with a Polish translator and sound recordist, Brennan ran a six week program in the prisons gymnasium with nine men currently imprisoned at Białołęka. The prisoners were invited to contribute as experts and discuss their own ideas on crime and virtue. From these unrehearsed conversations that drew on personal experiences, Polish history and the moral codes of the street, a moving and philosophical narrative voice emerges.

Teatro

The Motherfucker With The Hat (Drama)
Veronica (PP) Rob McLoughlin Productor/Producción: Blue Book Theatre Escrito por: Stephen Adly Guirgis
Persephone (Coreografía)
Various (PP) Lia Ikkos Productor/Producción: Royal Academy of Art Teatro: Opera Viscera Caster: Lia Ikkos Escrito por: Lia Ikkos Creating live performance combining choreography, original music and scripted text, for AI WEI WEI Lates exhibition 2015, the SUMMER BALL exhibition 2016, and VENETIAN MAGIC exhibition 2017.
At Home in Gaza and London (Grabación de teatro)
Lia (PP) Julian Maynard Smith Productor/Producción: LIFT & Waterman's Utopia Caster: NA Escrito por: Taghrid Choucair-Vizoso Artists in London and Gaza are to launch a series of simultaneous, live-streamed performances this month in an attempt to connect people living under severe blockade in the coastal enclave with international audiences in Britain. Performers will use video projection as a backdrop to simulate walking through each other’s homes and streets, and interact as if they were in the same room, even as they are separated by 2,000 miles. The show’s producers say At Home in Gaza and London explores “survival tactics, creative impulses and coping mechanisms that sustain those living in Gaza, while at the same time celebrating a temporary release via the technological innovation of a working space, a playing space, without borders”. It is led by Station House Opera, a UK-based theatre group that has operated concurrent performances across the globe, including in Brazil and Singapore. However, Gaza is one of the most inaccessible places on earth, with neighbouring countries Israel and Egypt strictly limiting freedom of movement. Many Palestinians living there have never left the 140 sq mile strip of land.
Elektra, Pythian Oratorium, Iphigenia In Aulis, Iphigenia in Tauris, The Mark of Cain, Judith's Return (Drama)
Multiple (PP) Wlodzimierz Staniewski Productor/Producción: Gardzienice Theatre Teatro: Gardzienice Theatre, Poland Caster: Wlodzimierz Staniewski Escrito por: Wlodzimierz Staniewski

Publicidad

Aldi
Super Mom (PP) Miguel Angulo Productor/Producción: Claudia Llosa Caster: unknown
Take Back Dinnertime (Comercial)
Mother (PP) Stefan Pflug Productor/Producción: Yannick Fauth
Norwegian Cruises (Comercial)
Mother (PS) Jim Jenkings
ADDE
Bride (PP)
Lobos 1707
She Wolf (PP) Hernan Corbera Productor/Producción: Stink Productions Caster: Athens Central Casting 1. https://www.youtube.com/watch?v=9WbbFVmntqo 2. https://www.youtube.com/watch?v=n6itLeYDdrs
Papadopoulou (Comercial)
Mother (PP)
Nutella (Comercial)
Yoga Lady (PP)