Lia Ikkos

Geschlecht
Weiblich
Geburtsjahr
1988 (37)
Geburtsort
London
Nationalität
britisch, spanisch, griechisch
Augenfarbe
grün-braun
Haarfarbe
schwarz-braun
Haarlänge
lang
Größe (cm)
179
Sprachen
Deutsch: Grundkenntnisse
Griechisch: Grundkenntnisse
Englisch: muttersprachlich
Französisch: fließend
Italienisch: gut
Polnisch: Grundkenntnisse
Portugiesisch: gut
Spanisch: muttersprachlich
Akzente
amerikanisch: nur bei Bedarf
Stimmlagen
Mezzosopran
Gesang
Jazz: professionell
Oper: professionell
Instrumente
Gitarre: Grundkenntnisse
Klavier: Grundkenntnisse
Tänze
Zeitgenössischer Tanz: Grundkenntnisse
Sport
Yoga: gut
Boxen: Grundkenntnisse
Reiten: gut
Schwimmen: gut
Volleyball: Grundkenntnisse
Aerial Yoga: Grundkenntnisse
Bergsteigen: Grundkenntnisse
Kunstturnen: Grundkenntnisse
Tauchen (Apnoe-): Grundkenntnisse
Eiskunstlaufen: Grundkenntnisse
Beachvolleyball: Grundkenntnisse
Rhythmische Sportgymnastik: Grundkenntnisse
Land
Griechenland
Bundesland
Attika

Primäre professionelle Schauspielausbildung

RADA

Weitere professionelle Ausbildung

National Film & Television School
The Guildhall School of Music (Juniors)
Vocal studies, opera and bel canto

Film

Café Faillible (Spielfilm) In Entwicklung
Fae (HR) Robert Ilioni Produzent/Produktion: Masuyo (Emi) Morita Vertrieb: pending Casting Director: Masuyo (Emi) Morita Buch: Robert Ilioni
RUN (Kurzfilm) In Entwicklung
Mother (HR) Oliver McGuirk Produzent/Produktion: Alina Lini Buch: Oliver McGuirk In post production
Three By Kings (Schauspiel) In Entwicklung
Peggy Moran (NR) Produzent/Produktion: Bigoli Pictures
#pesmeidiotrop (Call Me Odd) (Kurzfilm)
Woman on bike (HR) Sofia Georgovassili Produzent/Produktion: White Room Vertrieb: Diotima Casting Director: Loukas Valentis Buch: Sofia Georgovassili https://diotima.org.gr/en/callmeodd-new-digital-campaign/ #callmeodd | New digital campaign The Diotima Center presents a new digital campaign about consent as part of the EQUAL_GEN project. The Diotima Center presents the digital campaign “Call me odd”, on the multifaceted concept of consent, a key concept for equal interpersonal relationships, as part of the EQUAL_GEN project. Consent culture is the term used to describe environments in which making agreements, finding common ground and respecting boundaries is the norm, both for sexual intercourses and for other daily activities. In this context, people feel that they have control of their physical autonomy and boundaries and can safely negotiate them. The two videos created in collaboration with the 4 Wise Monkeys creative agency, aim to free from the second thoughts that often overwhelm them when they try to set their boundaries. And we don’t stop there. We envision an environment, in which every woman, after every yes or no, won’t feel guilt, stress or fear on how she will be labelled. Because consent is a right, not an oddity.
Cafe 404 (Kinofilm)
Jimmy's Mum (NR) Alex Tsilifonis Produzent/Produktion: Katerina Kaskanioti Vertrieb: 7 Palms Entertainment Buch: Alex Tsilifonis Available on Amazon Prime https://www.amazon.com/Cafe-404-Alexandros-Tsilifonis/dp/B0FBH51M3M
The Gimp And The Hitman (Kinofilm)
Penelope (HR) Dimitri Raft Produzent/Produktion: Joh-Paul Gates Vertrieb: Film Hub Casting Director: George Koltsou Buch: Dimitri Raft & Joh-Paul Gates
Judith's Return (Experimentalfilm)
Judith (HR) James Brennan Produzent/Produktion: Aphids Vertrieb: Moonah Arts Center Casting Director: James Brennan Buch: James Brennan JUDITH’S RETURN, is an experimental opera and video work created and performed by artists and people convicted of crime. It explores the virtue of courage and takes it’s title from the Raine Maria Rilke poem of the same name. The project combines the voices of current and former prisoners from Australia and Poland with multi channel video and music for church organ, synthesizer, soprano and drums. The accompanying operatic was composed by Brennan and Polish collaborator Szczepan Pospieszalski and it’s libretto is taken from Rilke’s poem. Inspired by the imaginative world of incarcerated people, Judith’s Return reclaims virtue in a contemporary setting. It takes as it’s muse the Old Testament biblical heroine and murderess Judith, and explores the personal and ethical issues surrounding an act of courage. Current and former prisoners are cast as philosophers who dissect the story, at times this echoing their own experiences, regrets and hopes. The result is an emotionally devastating performance that shatters judgments around convicted peoples capacity to live morally and ultimately asks viewers to consider the limits of liberty . The work has been created in partnership with Białołęka Prison, Warsaw, one of Europes largest detention centres. Working with a Polish translator and sound recordist, Brennan ran a six week program in the prisons gymnasium with nine men currently imprisoned at Białołęka. The prisoners were invited to contribute as experts and discuss their own ideas on crime and virtue. From these unrehearsed conversations that drew on personal experiences, Polish history and the moral codes of the street, a moving and philosophical narrative voice emerges.

Theater

The Motherfucker With The Hat (Schauspiel)
Veronica (HR) Rob McLoughlin Produzent/Produktion: Blue Book Theatre Buch: Stephen Adly Guirgis
Persephone (Choreografie)
Various (HR) Lia Ikkos Produzent/Produktion: Royal Academy of Art Theater: Opera Viscera Casting Director: Lia Ikkos Buch: Lia Ikkos Creating live performance combining choreography, original music and scripted text, for AI WEI WEI Lates exhibition 2015, the SUMMER BALL exhibition 2016, and VENETIAN MAGIC exhibition 2017.
At Home in Gaza and London (Theater-Aufzeichnung)
Lia (HR) Julian Maynard Smith Produzent/Produktion: LIFT & Waterman's Utopia Casting Director: NA Buch: Taghrid Choucair-Vizoso Artists in London and Gaza are to launch a series of simultaneous, live-streamed performances this month in an attempt to connect people living under severe blockade in the coastal enclave with international audiences in Britain. Performers will use video projection as a backdrop to simulate walking through each other’s homes and streets, and interact as if they were in the same room, even as they are separated by 2,000 miles. The show’s producers say At Home in Gaza and London explores “survival tactics, creative impulses and coping mechanisms that sustain those living in Gaza, while at the same time celebrating a temporary release via the technological innovation of a working space, a playing space, without borders”. It is led by Station House Opera, a UK-based theatre group that has operated concurrent performances across the globe, including in Brazil and Singapore. However, Gaza is one of the most inaccessible places on earth, with neighbouring countries Israel and Egypt strictly limiting freedom of movement. Many Palestinians living there have never left the 140 sq mile strip of land.
Elektra, Pythian Oratorium, Iphigenia In Aulis, Iphigenia in Tauris, The Mark of Cain, Judith's Return (Schauspiel)
Multiple (HR) Wlodzimierz Staniewski Produzent/Produktion: Gardzienice Theatre Theater: Gardzienice Theatre, Poland Casting Director: Wlodzimierz Staniewski Buch: Wlodzimierz Staniewski

Werbung

Aldi
Super Mom (HR) Miguel Angulo Produzent/Produktion: Claudia Llosa Casting Director: unknown
Take Back Dinnertime (Werbefilm)
Mother (HR) Stefan Pflug Produzent/Produktion: Yannick Fauth
Norwegian Cruises (Werbefilm)
Mother (NR) Jim Jenkings
ADDE
Bride (HR)
Lobos 1707
She Wolf (HR) Hernan Corbera Produzent/Produktion: Stink Productions Casting Director: Athens Central Casting 1. https://www.youtube.com/watch?v=9WbbFVmntqo 2. https://www.youtube.com/watch?v=n6itLeYDdrs
Papadopoulou (Werbefilm)
Mother (HR)
Nutella (Werbefilm)
Yoga Lady (HR)