Lia Ikkos

Gènere
femení
Any de naixement
1988 (37)
Lloc de naixement
London
Nacionalitat
Britànic, Espanyol, Grec
Color d'ulls
marró verd
Color de cabell
negre-marró
Longitud del cabell
Llarg
Alçada (cm)
179
Idiomes
Alemany: bàsic
Grec (nou): bàsic
Anglès: llengua materna
Francès: fluid
Italià: mitjà
Polonès: bàsic
Portuguès: mitjà
Espanyol: llengua materna
Accents
Nord-americà: només si es requereix
Brees
Mezzo-soprano
Cantant
Jazz: professional
Operapera: professional
Instruments
Guitarra: bàsic
Piano: bàsic
Danses
Dansa contemporània: bàsic
Esports
Ioga: mitjà
Boxa: bàsic
Muntar a cavall: mitjà
Nedar: mitjà
Voleibol: bàsic
Ioga aeri: bàsic
Escalada: bàsic
Gimnàstica artística: bàsic
Busseig (apnea): bàsic
Patinatge artístic: bàsic
voleibol de platja: bàsic
Gimnàstica esportiva rítmica: bàsic
País
Grècia
Estat federal
Àtica

Formació professional primària

RADA

Altres ensenyaments i formació

National Film & Television School
The Guildhall School of Music (Juniors)
Vocal studies, opera and bel canto

Pel·lícula

Café Faillible (Llargmetratge) En desenvolupament
Fae (PP) Robert Ilioni Productor/Producció: Masuyo (Emi) Morita Distribució: pending Director de càsting: Masuyo (Emi) Morita Escrit per: Robert Ilioni
RUN (Curtmetratge) En desenvolupament
Mother (PP) Oliver McGuirk Productor/Producció: Alina Lini Escrit per: Oliver McGuirk In post production
Three By Kings (Drama) En desenvolupament
Peggy Moran (PS) Productor/Producció: Bigoli Pictures
#pesmeidiotrop (Call Me Odd) (Curtmetratge)
Woman on bike (PP) Sofia Georgovassili Productor/Producció: White Room Distribució: Diotima Director de càsting: Loukas Valentis Escrit per: Sofia Georgovassili https://diotima.org.gr/en/callmeodd-new-digital-campaign/ #callmeodd | New digital campaign The Diotima Center presents a new digital campaign about consent as part of the EQUAL_GEN project. The Diotima Center presents the digital campaign “Call me odd”, on the multifaceted concept of consent, a key concept for equal interpersonal relationships, as part of the EQUAL_GEN project. Consent culture is the term used to describe environments in which making agreements, finding common ground and respecting boundaries is the norm, both for sexual intercourses and for other daily activities. In this context, people feel that they have control of their physical autonomy and boundaries and can safely negotiate them. The two videos created in collaboration with the 4 Wise Monkeys creative agency, aim to free from the second thoughts that often overwhelm them when they try to set their boundaries. And we don’t stop there. We envision an environment, in which every woman, after every yes or no, won’t feel guilt, stress or fear on how she will be labelled. Because consent is a right, not an oddity.
Cafe 404 (Pel·lícula de cinema)
Jimmy's Mum (PS) Alex Tsilifonis Productor/Producció: Katerina Kaskanioti Distribució: 7 Palms Entertainment Escrit per: Alex Tsilifonis Available on Amazon Prime https://www.amazon.com/Cafe-404-Alexandros-Tsilifonis/dp/B0FBH51M3M
The Gimp And The Hitman (Pel·lícula de cinema)
Penelope (PP) Dimitri Raft Productor/Producció: Joh-Paul Gates Distribució: Film Hub Director de càsting: George Koltsou Escrit per: Dimitri Raft & Joh-Paul Gates
Judith's Return (Pel·lícula experimental)
Judith (PP) James Brennan Productor/Producció: Aphids Distribució: Moonah Arts Center Director de càsting: James Brennan Escrit per: James Brennan JUDITH’S RETURN, is an experimental opera and video work created and performed by artists and people convicted of crime. It explores the virtue of courage and takes it’s title from the Raine Maria Rilke poem of the same name. The project combines the voices of current and former prisoners from Australia and Poland with multi channel video and music for church organ, synthesizer, soprano and drums. The accompanying operatic was composed by Brennan and Polish collaborator Szczepan Pospieszalski and it’s libretto is taken from Rilke’s poem. Inspired by the imaginative world of incarcerated people, Judith’s Return reclaims virtue in a contemporary setting. It takes as it’s muse the Old Testament biblical heroine and murderess Judith, and explores the personal and ethical issues surrounding an act of courage. Current and former prisoners are cast as philosophers who dissect the story, at times this echoing their own experiences, regrets and hopes. The result is an emotionally devastating performance that shatters judgments around convicted peoples capacity to live morally and ultimately asks viewers to consider the limits of liberty . The work has been created in partnership with Białołęka Prison, Warsaw, one of Europes largest detention centres. Working with a Polish translator and sound recordist, Brennan ran a six week program in the prisons gymnasium with nine men currently imprisoned at Białołęka. The prisoners were invited to contribute as experts and discuss their own ideas on crime and virtue. From these unrehearsed conversations that drew on personal experiences, Polish history and the moral codes of the street, a moving and philosophical narrative voice emerges.

Teatre

The Motherfucker With The Hat (Drama)
Veronica (PP) Rob McLoughlin Productor/Producció: Blue Book Theatre Escrit per: Stephen Adly Guirgis
Persephone (Coreografia)
Various (PP) Lia Ikkos Productor/Producció: Royal Academy of Art Teatre: Opera Viscera Director de càsting: Lia Ikkos Escrit per: Lia Ikkos Creating live performance combining choreography, original music and scripted text, for AI WEI WEI Lates exhibition 2015, the SUMMER BALL exhibition 2016, and VENETIAN MAGIC exhibition 2017.
At Home in Gaza and London (Gravació de teatre)
Lia (PP) Julian Maynard Smith Productor/Producció: LIFT & Waterman's Utopia Director de càsting: NA Escrit per: Taghrid Choucair-Vizoso Artists in London and Gaza are to launch a series of simultaneous, live-streamed performances this month in an attempt to connect people living under severe blockade in the coastal enclave with international audiences in Britain. Performers will use video projection as a backdrop to simulate walking through each other’s homes and streets, and interact as if they were in the same room, even as they are separated by 2,000 miles. The show’s producers say At Home in Gaza and London explores “survival tactics, creative impulses and coping mechanisms that sustain those living in Gaza, while at the same time celebrating a temporary release via the technological innovation of a working space, a playing space, without borders”. It is led by Station House Opera, a UK-based theatre group that has operated concurrent performances across the globe, including in Brazil and Singapore. However, Gaza is one of the most inaccessible places on earth, with neighbouring countries Israel and Egypt strictly limiting freedom of movement. Many Palestinians living there have never left the 140 sq mile strip of land.
Elektra, Pythian Oratorium, Iphigenia In Aulis, Iphigenia in Tauris, The Mark of Cain, Judith's Return (Drama)
Multiple (PP) Wlodzimierz Staniewski Productor/Producció: Gardzienice Theatre Teatre: Gardzienice Theatre, Poland Director de càsting: Wlodzimierz Staniewski Escrit per: Wlodzimierz Staniewski

Comercial

Aldi
Super Mom (PP) Miguel Angulo Productor/Producció: Claudia Llosa Director de càsting: unknown
Take Back Dinnertime (Comercial)
Mother (PP) Stefan Pflug Productor/Producció: Yannick Fauth
Norwegian Cruises (Comercial)
Mother (PS) Jim Jenkings
ADDE
Bride (PP)
Lobos 1707
She Wolf (PP) Hernan Corbera Productor/Producció: Stink Productions Director de càsting: Athens Central Casting 1. https://www.youtube.com/watch?v=9WbbFVmntqo 2. https://www.youtube.com/watch?v=n6itLeYDdrs
Papadopoulou (Comercial)
Mother (PP)
Nutella (Comercial)
Yoga Lady (PP)